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Anthologies and more

Outside of the Human Legion Universe I've written other novels and shorter length fiction, and continue to do so. Here's a selection of a few highlights. I've also appeared in several 4HU anthologies, which you can find on the Four Horsemen Universe page.

 

Bayonet Books Anthologies

I've written several stories for Bayonet Books anthologies, which are packed with top indie talent.

On Deadly Ground is an anthology of last stands. My story is Time Dogz and it tells the tale of the deseperate naval battle at Saturn Gate.

In Storming Area 51, I tell the real story behind Area 51. 4HU and Warhammer 40k cosplayers become gladiators in alien arenas under their team boss, President Kennedy from a timeline where the Cuban Missile Crisis didn't work out welll.

A reader asked me to write more orcs. So I did in From the Ashes. It's post-apocalyptic Mid-Bedfordshire with vampire deer and the last troopers of the Woburn Militia.

Backblast Area Clear was so awesome that one of the stories was nominated for the Nebula Award. Outrageously, it wasn't my one ;-) However, my entry (The Hero of Azoth-Zol) is one of my favorite stories and was the first published piece of Chimera Company fiction.

The Nebula Award nominee story from Backblast Area Clear was by Richard Fox and set in his Ember War series. The Nebulas are voted on by members of SFWA, a club of science fiction and fantasy authors I belong to. I had never previously bothered to vote for awards other than the Dragon Awards because the kind of fiction I admire most is not fashionable enough to get nominations. That year was the exception when I did vote.

My Area 51 tale has a character cosplaying as a CASPer from the Four Horsemen Universe. I asked the series creators whether it was okay. I think they thought it was cool, in a weird meta way, to have fiction in which their creation is cosplayed. It's not just background detail, though. The costume choice has unexpected consequences!

Time Dogz, the story in On Deadly Ground, was a tryout for a potential new book series. I enjoyed writing it so much that I went on to write the novels, preparing first by re-reading all the Dresden Files to get in the right mood.

Beta readers for my Area 51 tale asked if I had written more in that setting. I haven't. Not yet. But if you think I should, let me know :-)

My story in Backblast Area Clear was originally intended for the Galaxy's Edge series by Jason Anspach and Nick Cole. I got my wires crossed and thought they might be making a call for anthology stories. It was far too good a story to leave on the shelf. In fact, it's probably my favorite short story.

These anthologies are released as Kindle books and paperbacks. I've listed links to the paperback below because after a set period, the eBook is discontinued (due to various rights shenanigans).

On Deadly Ground (2021).

From the Ashes (2020).

Storming Area 51 (2019).

Backblast Area Clear (2018).

The Reality War

Before I wrote the Human Legion books, I wrote the two Reality War novels. They're set in the Human Legion Universe but are completely standalone.

Originally published in 2011, I rewrote them in 2021 to better fit in with the rest of the Human Legion Universe.

The two books tell a tale of time travel shenanigans. They are also a science fictional re-imagining of John Bunyan's The Pilgrim's Progress.

The Reality War is neither military science fiction nor space opera. But it is a miniature science fiction series that I'm very proud of.

  • My short story 'Welcome Home, Janissary' (which has been published in a couple of anthologies) was originally an exercise in dramatized worldbuilding for the Reality War novels.
  • The series was originally called My Future in the Past. In fact, I usually still think of it under that name. But pre-launch beta readers reported that the title was dull, so it was renamed about two weeks before publication.
  • The two novels are named The Slough of Despond and The City of Destruction. These are locations in The Pilgrim's Progress.
  • The cover artwork is by friend and award-winning artist, Andy Bigwood. He wasn't a friend then, but this was our first interaction. The artwork for The Slough of Despond is entitled 'The Watcher'. It represents a human character feeling the hidden presence of a reptilian version of himself. In The City of Destruction, the human is the one lurking in the background of a reptilian's mind. Spoiler alert: the time war isn't going well :-)

The two Reality War books are available as paperbacks and as Kindle editions to buy or borrow through Kindle Unlimited.

Find the first book on Amazon USA | UK | CA | AUS

It Takes All Kinds

This is an anthology set in Kevin Steverson's Salvage Title Universe, a fast-paced space romp in a vast setting that features a huge number of alien races.

And it's in development to become a movie!

My story is Laney's Logistics Ain't Recruiting, which centers a young alien on a work placement with a human-owned operation.

Needless to say, events go south really fast.

  • I'd written about frontline military and adventurers. I wanted to write something about people working the logistics that make all that possible.
  • As a starting seed, I remembered the pleasure from reading Heinlein juveniles. The young alien main character is acting out her own YA Heinlein story, but the humans live in an adult story.
  • Hideout Pictures are making the Salvage Title movie

Paperback Edition Amazon.com

Kindle Edition Amazon.com

Audiobook is forthcoming as of Sept 2021.

The Empire at War

The Empire at War is a multi-author collection of military SF novels plus short stories (one of them fully illustrated) and articles.

Novels are all opening titles in series: Their Darkest Hour (Chris Nuttall... I think we're still waiting for book2), Discovery of the Saiph (Paul Corcoran) C.R.O.W. (Phillip Richards), Marine Cadet (me).

There are short stories by Paul Corcoran, The President's Son by me, The opening chapters to the book Phillip was working on (but sadly Phillip's since gone quiet), and Fallen Witness, a short story by me that's illustrated by Andy Bigwood.

Finally, there's a couple of articles from me about the state of British military SF as I saw it in later 2015.

There is a paperback and a hardback edition, both of which have color interior to get the most from those illustrations.

  • 2015 saw multi-author box sets finally hit Kindle science fiction. When work stalled on the novel I was working on because my co-author wasn't delivering, I thought I would fill the gaps in my time by getting in on this trend. At the time, whenever I met a US author online and told them I was British, they would invariably say "I love Downton Abbey". Since we appeared to be in one of those temporary waves of British popularity across the pond, I went for a theme of British authors.
  • Rights negotiations were tortuous. We very nearly gave up on this. Until just before we launched, we had also had Tony Healey in the collection with the first of his Far from Home books. Tony's since moved onto Thrillers where he has had huge success, but back in the day, he was one of the early breakout stars of Kindle space opera. He was very apologetic for backing out, but his agent made him.
  • Producing a hardback edition with color interior was expensive and very time consuming. It wasn't part of the original plan. Originally, we offered our artist (Andy Bigwood) equal royalty shares with the authors, but Andy waived that if we made a fully illustrated hardback. Looks good on the shelf!
  • We officially launched the book at Eastercon 2016. In terms of revenue earned by authors (and possibly unit sales too), we think this was the most successful anthology ever launched at a British science fiction convention. And by a large margin.
  • I had picked the British theme because I hoped it might (briefly) be popular in the US. It did okay, but it was in the UK where sales were best. On the UK science fiction anthologies Amazon bestseller list, The Empire at War hit the #1 spot and stayed there for many months.
  • Although I conceived of the project and put the book together. Paul Corcoran (and his wife) published the book, did most of the marketing, and handled the money. (Since I set it up, I suggested someone else handled the money to prove I wasn't a con artist!). As I look around at the buy links, I'm not seeing the Kindle edition. I'll have to find out what's happening with that.

Hardback Edition

Amazon.com

Amazon.co.uk

There used to be a paperback and a Kindle edition too. I'll check with the publisher because they don't seem to be available at the moment.

Based in Panama City, FL, the Adventures in the Arcane Syndicate have delivered stunning pulp adventure anthologies over the past few years. In 2018, they opened things up to more authors in the Lovecraftian madness that is the Cthulhu Edition.  

My entry in this anthology is set in Small Heath, Birmingham, England in 1925, on the road where I used to live. I saw many strange sights and often took the train into the city from Small Heath Station, but I never darted to ride it all the way back to Royal Leamington Spa. This story explains why.

Available in eBook and paperback editions with chilling illustrations for every story, you can find out more at Amazon US  |  UK  |  CA  |  AU  |  DE

 

Explorations: Colony

'The Light of Distant Earth' is my novelette in this anthology of 12 leading authors, including Amy DuBoff, Scott Bartlett, and Dennis E Taylor, famous for 'We are Legion (We are Bob).

My story follows a desperate colony fleet pushed to the very edge of the spiral arm by implacable aliens. Yet even in the depth of despair, sometimes you can light a beacon of hope.

I’ve enjoyed the Explorations series of anthologies since the first one came out summer 2016. It’s classic space-oriented science fiction adventure with more than a passing nod to hard-SF. The series is loosely script edited by series supremo Nathan Hystad, and written by a range of authors but principally by the new wave of successful indy SF novelists. Like my 'For a Few Credits More' anthology in the Four Horsemen Universe, the stories are novelettes – a size in between short stories and novellas. I think that’s perfect for an anthology set in a shared universe, and I also think it’s a size that suits my writing style.

The anthology was published by Woodbridge Press in 2017.

The Earth... lost. But humanity must survive. Somewhere.

 

Space opera | Anthology | Space adventure | Colonization | Aliens

When I wrote my story, I tried to channel my sense of wonder from reading Arthur C. Clarke as a kid. My story title is a homage via Clarke's novel, 'Songs of Distant Earth'.

Talking of Arthur C. Clarke, I used to work as a book designer, and one of the first eBooks I produced was 'Fables from the Fountain' (2011), a collection of fantastical shaggy dog stories told or set in a fictitious London pub, and very much a homage to Clarke's similar book, 'Tales from the White Hart' (1957). I've not read Clarke's original, but Fables from the Fountain is one of my favorite short story anthologies, and with the likes of Stephen Baxter and Neil Gaiman telling the stories it felt exciting at the time to be involved.

You can see a preview by tapping on the cover image or following this link.

 

Paperback and Kindle Editions

Amazon.com

Amazon.co.uk

Amazon.ca

Amazon.com.au

And there's more.

I also have stories in various anthologies, but check the names as some stories appear in more than one. I'm in Total Conflict (I did the cover design for that) and the same story in Further Conflicts (which is an amazing cover by Andy Bigwood and nothing to do with me). I wrote a story called 'Hill 435' for Crises & Conflicts, but if you're a signed up Legionary, you can get it for free so buy the book if you like, but not for that story. Also, Shoes, Ships & Cadavers and a bunch of print magazines from when I was starting out. The very first story I had published was called Themistocles, which won a short story competition in 2002. It was the origin story for the Human Legion. I had another Human Legion Universe story in a print magazine back in 2003 (Aoife's Kiss), and one in a defunct online magazine (HardSF.net) in 2005. Neither of those involved the Human Marine Corps – it's a big galaxy!

I published a bunch of stories with Greyhart Press under my own name (many now de-listed while I'm thinking what to do with them) and YA fantasy/ SF stories with The Repository of Imagination under the pen name Crustias Scattermush. I'm still very proud of those.

One of the earliest short stories I wrote (in 2002, I think) still stands the test of time and is my favourite title. Sometimes it's free and sometimes it's 99c. The vagaries of Amazon, but you can see it here.

By the way, when I started being published, I decided to call myself professionally Tim C. Taylor.  I added the initial (it stands for Charles) because there were other Tim Taylors who published before me. Unfortunately, a decade later an Australian author started publishing as "Tim C Taylor" without the period. A lot of retailers and search engines think we're the same person. It's just one of those things and I don't think many people buy his books thinking mistakenly that they're mine. Anyway, if you see any of the books on this link then they're nothing to do with me: https://www.smashwords.com/profile/view/TimothyCTaylor  (BTW: I'm sure you wouldn't, but just to be clear, I'm pointing out this other author to avoid confusing us; please don't send him abuse!)